Thunderbolt

We made it through the holidays and the Southern California fires, and the Epic Playlist is still going. Super Dave and I had planned to take December off, but we both missed the daily ritual of adding something new to this crazy list that we love. Inspired by Nic Harcourt on L.A.'s 88.5, the SoCal Sound, we opted for a "Pick of the Day" approach midway through December and have carried on that way ever since. That has slowed down the progress of reaching our ultimate goal of 168 hours of music (i.e. one complete week's worth of music), however, it's allowed us to slow down and give a little more appreciation to the tracks we've placed on the list. Where are we at now? 1,814 Songs and 124 hours (unless you're looking on my phone and it's 123 hours and 49 minutes. Weird). I got obsessed with the Rock and Roll Hall of Fame at the end of January and now I'm making an effort to include all of the performer inductees. I don't know why; it gives me ...

While you're waiting with baited breath for my next post about music and movies, please take an hour out of your life to listen to the Planet LP podcast that I appeared on last week. The show's host is Ted Asregadoo, a friend of mine from the Popdose heyday. Ted and I collaborated on several Popdose posts, and I've appeared on Planet LP a few times. I always enjoy speaking with him and this conversation was particularly fun. The subject was midnight movies, a phenomenon from the latter part of the 20th Century that faded away with the advent of home video and especially streaming.  I have good memories of going to the local cineplex in the middle of the night with my high school buddies to see cult movies like The Wall, Cronenberg's The Fly, the original Last House on the Left and The Holy Grail. They were bonding moments and we'd talk about the movies for weeks on end. Last House was a particularly scarring screening. If you've seen Wes Craven's gruesom...

Column 3, Row 13: Mötley Crüe , Girls Girls Girls. I was never a big fan of Mötley Crüe. I liked their radio hits, but I never listened to one of their albums in their entirety until 1989’s Dr. Feelgood , which was orchestrated in a way to dominate radio stations and suck in casual fans, like me, who had trouble getting past the Crüe’s purposeful sleaziness. That said I always admired them more than the other Sunset Strip bands. Bassist Nikki Sixx and drummer Tommy Lee were such a formidable rhythm section and laid down a solid groove to all their music. Guitarist Mick Mars had a knack for making his guitar hiss sinister, matching his perpetual scowl. Vince Neil was nothing to write home about as a vocalist, which made his unpolished singing just a little more intriguing than most of the other front then who dominated mainstream rock in the mid-late 80’s. Girls Girls Girls was released in May of 1987, just in time for a long summer of Mötley Crüe taking over the mi...

Jacob turns 23 today.  As I write this, he's in the other room watching Deadpool and Wolverine laughing his ass off. I love that he's held on to his affection for comic books and video games into adulthood and how he's able to quote a movie after seeing it only once.  What I love more is that he remains a caring and empathetic human being, despite the hardships he's faced in life, that he continues to be funny and creative, that he's passionate about the issues that are important to him, in particular LGBTQ rights, and that he's supportive of his friends, his sister, and all of his cousins. Is he perfect? I don't give a shit. He's my son and I'm so damn proud of him. He's a fighter and he inspires me almost every day. I started blogging 21 years ago, as I began training for a marathon to raise money for the Cystic Fibrosis Foundation. If you dig around in the "Thunderbolt" archives, you'll find updates on his health, the many Basem...

It started as all playlists do, an occasion that justified music for entertainment. In this case, it was a couples weekend getaway back in February. Super Dave proposed that he and I provide the tunes and we started a Spotify playlist: three songs at a time, no song repeats, no artist repeats. Dave would add his three, then text me that it was my turn. I would then add my three text him back. This cycle repeated until three hundred songs were compiled, and we drove off to Mammoth with our wives. A funny thing happened, though, it turned out we both enjoyed the challenge of trying to surprise or outdo the other so much that we continued building the playlist. We made a new rule of just three songs each a day and still no artist repeats. Soon, we came up with amendments to allow duets (The Emmylou Exception), multiple songs by the same band if said band had multiple lead singers (The Beatles Exception), or if there was a lead singer replacement that changed the artistic direction of ...

Column 4, Row 20: Bruce Springsteen, Born in the U.S.A. This past June marked the 40th Anniversary of the release of Bruce Springsteen's Born in the U.S.A. It was Springsteen’s seventh LP, and the commercial breakthrough that propelled him to superstardom. While some critics and fans bristle at  Born in the U.S.A. as a calculated move to make mainstream Springsteen a star, the album was the result of a great deal of soul searching and could have been much darker.    Springsteen began writing many of the songs for this album soon after he and the E Street Band completed their world tour for his 1981 double album, The River . Confused about his place in the world, and dealing with serious depression, Springsteen secluded himself in a remote Jersey house and recorded a series of brooding demos that were a harsh reflection of his mind and America at that time. The intent of those demos was to bring them to ...