Skip to main content

reflections on the hometown

After 37 years I am still amazed each time we return to North Olmsted and I discover small pockets of the city; unknown neighborhoods that have always been here but I never roamed into during my youth. I grew up thinking that this Cleveland suburb was so small and restrictive. The only thing I wanted more than becoming a filmmaker was to get out of here. How many of us have felt the same way? How many of us left seeking the American Dream only to return to Ohio time and time again to find some comfort or to escape the hardness of the world? Or, how many have stayed here, finding the surroundings just right? How many decided that there are enough dark corners in this city to make up for the L.A.'s, Miami's or New York's in the country?

Oh, and there are dark corners. Some mornings, when I'm on a walk in my in law's neighborhood, I'll take a left when normally I would have travelled straight. And upon that turn what do I find but a seemingly peaceful cul de sac with just one entrance from the main road. Tract houses built in the 60's still retain their sense of pride the original owners' must have felt that first day they crossed the thresh hold. Trees as tall as the sky and as thick as tanks stand proud and protective, holding within them the mysteries, secrets and histories of a North Olmsted I never knew. On the rare occasion I see someone out watering their lawn with a hose or cleaning up after their dog, eyes grow narrow and suspicious of the stranger in the cut off sweats and grungy t-shirt air drumming to Crowded House on one of those MP3 thingies. I wonder what happened on these streets, in those houses. Did children live there? Were there classmates of mine I never got acquainted with reside in those houses? I am left to wonder.

And there are nights driving the dark streets of North Olmsted in the wee morning hours. I'm often compelled to venture into developments I never entered once I received my drivers license. Why didn't I? What stopped me from just veering the Whomobile into this place or that to better understand my hometown. Lord knows there were enough opportunities of just cruising on a Saturday night, with Zeppelin, or Floyd, or Lou Reed, or The Who, or U2 blaring over the rattled speakers to do some exploring. I could analyze for days, but I know the truth: I had already left North Olmsted by the time I was 15 and I decided that a life in the movies was the life for me. You don't make movies in Ohio, at least, that's what I thought. Once my folks moved to Tucson, I never thought I'd step foot in North Olmsted again.

Starnge how life works. Julie's parents moved here in 2000, and now, whenever we come back to Ohio for a family visit, I walk the same beaten sidewalks I used to. I can't tell you how many times I've wandered through the mall, looking at faces of shoppers, wondering... sometimes hoping I would see someone I recognize. But none of these faces are familiar to me. Neither is the mall, for that matter. However, what I have learned in these past 14 years is that you don't need a big city to get a big mystery, or a compelling drama, or a heartbreaking love stroy. John Steinbeck taught me that. Arthur Miller and Barry Levinson taught me that. Bruce Springsteen taught me that.

And North Olmsted has taught me that.

Aloha

Comments

Popular posts from this blog

MARATHON FOOTNOTES (for those who didn't think I would really footnote a stream of consciousness thought): Footnote #1 Academy Award Winning Best Picture Films from 1969 to the Present: Midnight Cowboy, Patton, The French Connection, The Godfather, The Sting, The Godfather II, One Flew Over The Cuckoo’s Nest, Rocky, Annie Hall, The Deer Hunter, Kramer Vs. Kramer, Ordinary People, Chariots of Fire, Gandhi, Terms of Endearment, Amadeus, Out of Africa, Platoon, The Last Emperor, Rain Man, Driving Miss Daisy, Dances With Wolves, The Silence of the Lambs, Unforgiven, Schindler’s List, Forrest Gump, Braveheart, The English Patient, Titanic, Shakespeare in Love, American Beauty, Gladiator, A Beautiful Mind, Chicago, Lord of the Rings: The Return of the King. Footnote #2 Members of the band YES, from 1969 to the present: In 1969, Yes is formed with Jon Anderson on vocals Peter Banks on guitar, Bill Bruford on drums, Tony Kaye on keyboards and Chris Squire playing bass. This group records...

100 and Counting: Introducing The Epic Playlist

It started as all playlists do, an occasion that justified music for entertainment. In this case, it was a couples weekend getaway back in February. Super Dave proposed that he and I provide the tunes and we started a Spotify playlist: three songs at a time, no song repeats, no artist repeats. Dave would add his three, then text me that it was my turn. I would then add my three text him back. This cycle repeated until three hundred songs were compiled, and we drove off to Mammoth with our wives. A funny thing happened, though, it turned out we both enjoyed the challenge of trying to surprise or outdo the other so much that we continued building the playlist. We made a new rule of just three songs each a day and still no artist repeats. Soon, we came up with amendments to allow duets (The Emmylou Exception), multiple songs by the same band if said band had multiple lead singers (The Beatles Exception), or if there was a lead singer replacement that changed the artistic direction of ...

A Trip Through the "My 90's Tapes" Collection Pt. 6: Joan Jett and The Blackhearts "Up Your Alley"

Column 1, Row 6: Joan Jett and The Blackhearts, Up Your Alley In 1988, hair metal was on the rise and straight forward rock and roll was losing radio airplay. If the music wasn't a little slick and the mix didn't sound like the record was recorded in a sports arena, there was little chance of getting heard. There were exceptions, of course (Tracy Chapman comes to mind), but for the most part, loud and echoey was the sound of the day. At that time, Joan Jett and her latest version of the Blackhearts had been together for a few years and were clicking. The band members were Ricky Byrd on lead guitar and vocals, Kasim Sulton on bass and vocals, and Thommy Price on drums. Jett was coming off of co-starring with Michael J. Fox in Paul Schrader's film, Light of Day . Although the film wasn't a hit, it was high profile enough to bring the rock legend back into the public eye after years working the road and trying to rebuild the success of her early 80s albums, including the s...