Skip to main content
Another overcast, Radiohead day in Southern California. The skies are dingy like an old sweatshirt and desperately want to open up and rain on us. I doubt that will happen, though. You'd think that after a childhood spent enduring Ohio winters I would get used to this type of weather and possible enjoy the fact that there isn't snow on the ground. Instead, gray clouds just make me feel gloomy same as they always have.

The beard is growing back as I make a concerted effort to finish this script I've been working on for several months. I though that with the completion of the marathon I would be able to dive right back into this dark script with no trouble. The decompression from not feeling pressure to run every day has taken a little longer to get over than I anticipated. I forget that the constant running and fund raising gave me a purpose.

Steve begs me not to continue running, something about not being able to walk when I'm in my 60's. Still, I'm already thinking about the possibility of doing another half marathon next year. He's going to kill me, God bless him.

The other reason it's been so difficult getting back into this new script is that my heart isn't always in it. I've given myself a deadline of the end of the year to complete it, which really means before the 24th (because we'll be travelling back east for the holidays). I am dedicated to starting my book in the new year. I even started a short story just to see if I could complete some kind of prose that didn't involve basements or movie reviews. Not only did I complete a first draft, but I've kind of become obsessed with the rewrite. This is a first for me. Any story I've ever written was always a first draft and left in a folder or a drawer somewhere. That I'm actually excited to revise the first draft (and willing to change the context of the story) is a good sign. The year of writing Basement Song entries has paid off.

If I had just been writing the Basement Songs for thunderbolt, I never would have gone back and edited them. Instead they would have been the kind of stream of consciousness ramblings my daily entries (daily, ha!) have become famous for (famous, ha!). Looks like the fear of being labeled a hack by thousands of Popdose readers has brought me full circle to the lessons I was taught by Denman and some of my other English teachers. The trick now is to bring the voice I've developed in the basement and apply it to whatever I write. It may take some rejections, but I'm willing to give it a go.

Comments

Popular posts from this blog

MARATHON FOOTNOTES (for those who didn't think I would really footnote a stream of consciousness thought): Footnote #1 Academy Award Winning Best Picture Films from 1969 to the Present: Midnight Cowboy, Patton, The French Connection, The Godfather, The Sting, The Godfather II, One Flew Over The Cuckoo’s Nest, Rocky, Annie Hall, The Deer Hunter, Kramer Vs. Kramer, Ordinary People, Chariots of Fire, Gandhi, Terms of Endearment, Amadeus, Out of Africa, Platoon, The Last Emperor, Rain Man, Driving Miss Daisy, Dances With Wolves, The Silence of the Lambs, Unforgiven, Schindler’s List, Forrest Gump, Braveheart, The English Patient, Titanic, Shakespeare in Love, American Beauty, Gladiator, A Beautiful Mind, Chicago, Lord of the Rings: The Return of the King. Footnote #2 Members of the band YES, from 1969 to the present: In 1969, Yes is formed with Jon Anderson on vocals Peter Banks on guitar, Bill Bruford on drums, Tony Kaye on keyboards and Chris Squire playing bass. This group records...

Basement Songs: "Golden Gates" by John Cougar Mellencamp

I’m not sure when my brother, Budd, bought his copy of John (then) Cougar Mellencamp’s “Uh Huh”. The cassette just showed up in the basement on summer, years after its release. Like most of America, I was a big fan of “Pink Houses”, and I was thrilled that now had copies of his other big hits from that album, “Crumblin’ Down” and “The Authority Song.” At this point in his career, Mellencamp was ready to establish himself as a legitimate artist, hence the use of his real name (the record label wouldn’t allow him to ditch the “Cougar” until years later for fear record buyers may get confused….huh?) In addition, there was the radio staple (at least in Cleveland), “Play Guitar”, on side 2, which borrowed heavily from Them’s “Gloria” (Mellencamp often slipped the “G-L-O-R-I-A”’s into his concerts during that number). The rest of “Uh Huh” is filled with more of the same 60’s garage band type of rock that Mellencamp champions, as well as one of Budd’s favorite tunes, the John Prine co-pe...

A Trip Through the "My 90's Tapes" Collection Pt. 9: Mötley Crüe, "Girls, Girls, Girls"

Column 3, Row 13: Mötley Crüe , Girls Girls Girls. I was never a big fan of Mötley Crüe. I liked their radio hits, but I never listened to one of their albums in their entirety until 1989’s Dr. Feelgood , which was orchestrated in a way to dominate radio stations and suck in casual fans, like me, who had trouble getting past the Crüe’s purposeful sleaziness. That said I always admired them more than the other Sunset Strip bands. Bassist Nikki Sixx and drummer Tommy Lee were such a formidable rhythm section and laid down a solid groove to all their music. Guitarist Mick Mars had a knack for making his guitar hiss sinister, matching his perpetual scowl. Vince Neil was nothing to write home about as a vocalist, which made his unpolished singing just a little more intriguing than most of the other front then who dominated mainstream rock in the mid-late 80’s. Girls Girls Girls was released in May of 1987, just in time for a long summer of Mötley Crüe taking over the mi...