Skip to main content
This whole Twitter thing has got me all jittery, as if I'm supposed to be blabbering my thoughts on the Internet every 10 minutes or so. Do people really want to know when I'm sitting in the can taking a dump and what I'm reading there (usually Entertainment Weekly or Rolling Stone)? Sometimes I wonder if the whole Facebook, MySpace, Twitter, Blogger thing has given the world TOO much information. Perhaps that's why it's been so hard to come up with something to say lately. I pour my heart into the Basement Songs and after that, I wonder, who gives a shit, Malchus?

I don't know. I do know that things have been hard with Jake these days. He's healthy, but there are some emotional things going on that bear down on us. I'm not going into the intimate details because Jake is 7 and that's not fair to air out what he's going through. But for me, it's just been like I walking that fine edge again, where I teeter between sanity and wanting to curl into a ball under my work desk and cry for a good ten or fifteen minutes. Unlike two years ago, I seem to have a handle on it. Plus, I've been writing, so that is giving me an avenue to express my emotions.

What have I been writing, you ask? Well, I finished the GD script I was working on for a good seven months. Man, did that one drain me. It's a dark story and I just started feeling like I didn't want to work in that corner of my mind right now. I committed myself to finishing it and that's what I did, albeit, two months later than I wanted.

So it's on to something I've been excited about doing for about five months and I'm feeling inspired. I'm not going to talk about what I'm doing because I don't want to ruin my mojo.

It’s strange to be trying to keep the blog regular again. I’m feeling out of practice, if that makes sense.

Aloha

PS- Daylight Savings time? Can't we get rid of that already? It's killing me.

Comments

Popular posts from this blog

MARATHON FOOTNOTES (for those who didn't think I would really footnote a stream of consciousness thought): Footnote #1 Academy Award Winning Best Picture Films from 1969 to the Present: Midnight Cowboy, Patton, The French Connection, The Godfather, The Sting, The Godfather II, One Flew Over The Cuckoo’s Nest, Rocky, Annie Hall, The Deer Hunter, Kramer Vs. Kramer, Ordinary People, Chariots of Fire, Gandhi, Terms of Endearment, Amadeus, Out of Africa, Platoon, The Last Emperor, Rain Man, Driving Miss Daisy, Dances With Wolves, The Silence of the Lambs, Unforgiven, Schindler’s List, Forrest Gump, Braveheart, The English Patient, Titanic, Shakespeare in Love, American Beauty, Gladiator, A Beautiful Mind, Chicago, Lord of the Rings: The Return of the King. Footnote #2 Members of the band YES, from 1969 to the present: In 1969, Yes is formed with Jon Anderson on vocals Peter Banks on guitar, Bill Bruford on drums, Tony Kaye on keyboards and Chris Squire playing bass. This group records...

A Trip Through the "My 90's Tapes" Collection Pt. 9: Mötley Crüe, "Girls, Girls, Girls"

Column 3, Row 13: Mötley Crüe , Girls Girls Girls. I was never a big fan of Mötley Crüe. I liked their radio hits, but I never listened to one of their albums in their entirety until 1989’s Dr. Feelgood , which was orchestrated in a way to dominate radio stations and suck in casual fans, like me, who had trouble getting past the Crüe’s purposeful sleaziness. That said I always admired them more than the other Sunset Strip bands. Bassist Nikki Sixx and drummer Tommy Lee were such a formidable rhythm section and laid down a solid groove to all their music. Guitarist Mick Mars had a knack for making his guitar hiss sinister, matching his perpetual scowl. Vince Neil was nothing to write home about as a vocalist, which made his unpolished singing just a little more intriguing than most of the other front then who dominated mainstream rock in the mid-late 80’s. Girls Girls Girls was released in May of 1987, just in time for a long summer of Mötley Crüe taking over the mi...

Midnight Movies and My Favorite Rock Pics

While you're waiting with baited breath for my next post about music and movies, please take an hour out of your life to listen to the Planet LP podcast that I appeared on last week. The show's host is Ted Asregadoo, a friend of mine from the Popdose heyday. Ted and I collaborated on several Popdose posts, and I've appeared on Planet LP a few times. I always enjoy speaking with him and this conversation was particularly fun. The subject was midnight movies, a phenomenon from the latter part of the 20th Century that faded away with the advent of home video and especially streaming.  I have good memories of going to the local cineplex in the middle of the night with my high school buddies to see cult movies like The Wall, Cronenberg's The Fly, the original Last House on the Left and The Holy Grail. They were bonding moments and we'd talk about the movies for weeks on end. Last House was a particularly scarring screening. If you've seen Wes Craven's gruesom...