Skip to main content
It's been a long week and there was so much going on that I couldn't muster the energy to write. Sad, I know. I was so damned stressed that I had stomach aches by the end of last week.

I have taken a new job at Cartoon Network. The opportunity arose and I felt that I shouldn't pass it up, not with the way things are going at Klasky Csupo. I'm not sure if there would be a job for me at KC past October. The risk of losing our benefits is something we can't take. Although I initially turned down this job, the news of KC looked even grimmer a day later and I immediately called my friend who offered me the job to see if it was still available. It was.

The nerve racking part is that it's less pay and, of course, trying to figure out the benefit situation. We spent all last week going over our finances and looking for ways to make it work. I believe we've come up with a solution. It's not perfect, but we'll be able to stay on our feet.

The constant stress about this job situation made it twice as hard to concentrate on running. I did run three times last week, but after I accepted the job, my body was ravaged. I had internalized so much stress that I had used up as much energy as when I run long distance. When Saturday came, I was too exhausted to get up and run.

On top of this stress was the delivery of a draft of my script for "The American Standard", a film that is being produced later this year. This new version of the script was not written by me and there were some significant changes to it. It has been an eye opening experience dealing with the optioning and the production of this script. I mean, once you hand it off to someone and sign the papers, it's not really yours any more. Having had almost complete control over "King's Highway", this was a rude awakening to the real Hollywood machine. All weekend long I worried about why the script was altered and whether I would remain involved with the project (and would I be sharing the writing credit).

I got my answers today and I am a little bummed by what I was told. I hope to be involved with further revisions.

This is a strange time. Starting a new job. Finally accomplishing the sale of a script. I should be so much happier. But I still have so much anxiety and uncertainty that I'm consuming mass quantities of Tums. I could barely muster 15 minutes of running before my head got the better of me and my body shut down.

You come out here and you chase the dream. And really, the dreams have been achieved. A loving wife. The greatest kids you could ever imagine. A couple of movies. From the outside my reality must look pretty awesome. So why do I feel so glum? Why can't I just revel in the good fortune?

Aloha

Comments

Popular posts from this blog

MARATHON FOOTNOTES (for those who didn't think I would really footnote a stream of consciousness thought): Footnote #1 Academy Award Winning Best Picture Films from 1969 to the Present: Midnight Cowboy, Patton, The French Connection, The Godfather, The Sting, The Godfather II, One Flew Over The Cuckoo’s Nest, Rocky, Annie Hall, The Deer Hunter, Kramer Vs. Kramer, Ordinary People, Chariots of Fire, Gandhi, Terms of Endearment, Amadeus, Out of Africa, Platoon, The Last Emperor, Rain Man, Driving Miss Daisy, Dances With Wolves, The Silence of the Lambs, Unforgiven, Schindler’s List, Forrest Gump, Braveheart, The English Patient, Titanic, Shakespeare in Love, American Beauty, Gladiator, A Beautiful Mind, Chicago, Lord of the Rings: The Return of the King. Footnote #2 Members of the band YES, from 1969 to the present: In 1969, Yes is formed with Jon Anderson on vocals Peter Banks on guitar, Bill Bruford on drums, Tony Kaye on keyboards and Chris Squire playing bass. This group records...

100 and Counting: Introducing The Epic Playlist

It started as all playlists do, an occasion that justified music for entertainment. In this case, it was a couples weekend getaway back in February. Super Dave proposed that he and I provide the tunes and we started a Spotify playlist: three songs at a time, no song repeats, no artist repeats. Dave would add his three, then text me that it was my turn. I would then add my three text him back. This cycle repeated until three hundred songs were compiled, and we drove off to Mammoth with our wives. A funny thing happened, though, it turned out we both enjoyed the challenge of trying to surprise or outdo the other so much that we continued building the playlist. We made a new rule of just three songs each a day and still no artist repeats. Soon, we came up with amendments to allow duets (The Emmylou Exception), multiple songs by the same band if said band had multiple lead singers (The Beatles Exception), or if there was a lead singer replacement that changed the artistic direction of ...

A Trip Through the "My 90's Tapes" Collection Pt. 6: Joan Jett and The Blackhearts "Up Your Alley"

Column 1, Row 6: Joan Jett and The Blackhearts, Up Your Alley In 1988, hair metal was on the rise and straight forward rock and roll was losing radio airplay. If the music wasn't a little slick and the mix didn't sound like the record was recorded in a sports arena, there was little chance of getting heard. There were exceptions, of course (Tracy Chapman comes to mind), but for the most part, loud and echoey was the sound of the day. At that time, Joan Jett and her latest version of the Blackhearts had been together for a few years and were clicking. The band members were Ricky Byrd on lead guitar and vocals, Kasim Sulton on bass and vocals, and Thommy Price on drums. Jett was coming off of co-starring with Michael J. Fox in Paul Schrader's film, Light of Day . Although the film wasn't a hit, it was high profile enough to bring the rock legend back into the public eye after years working the road and trying to rebuild the success of her early 80s albums, including the s...