Skip to main content

RIP TP?


I've been listening to this bootleg of Tom Petty and The Heartbreakers recorded last year and I started wondering, when Tom Petty get so wimpy? I don't mind his lovely acoustic numbers that he's recorded (so many of) in the past decade. Hey, "Free Fallin'" worked, so why not continue with that magic. But, come on, TP, your show is a freakin' yawn fest.

Sadly, I attribute this to one factor: Stan Lynch. Without the founding member of the band pounding away in the rhythm section, the band feels lifeless. Don't me wrong; I think Steve Ferrone is a hell of a drummer. I've always loved the stuff he did with Average White Band and Clapton, but the guy is too polished for the Heartbreakers I came to love.

The thing about Lynch is that he seemed to approach every show as if he were playing the songs for the first time, still trying to figure out where to place the fills. It had a rough quality to it that made Petty's music so appealing. With Lynch gone, the Heartbreakers seem to have about as much soul as, well... Eric Clapton's most recent stuff (don't get me started on EC). I'll be the first to admit that I don't think Max Weinberg has the chops he used to (playing behind Bruce, that is. His work on Conan's show is top notch), but at least he's not a human metronome. There's life back there, people!

Used to be, I'd defend my beloved acts to the hilt. But life is short and there's so much more music to discover. Perhaps this is why I have come to admire Robert Plant so much. He continually challenges himself musically and when things begin to get stale, he shakes things up with new blood. But Petty is so loyal (God bless him) and he'd never ask Ferrone to leave. Maybe Tom should make a collection of songs like "Down South" (from his latest) and begin to release simple, beautiful songs all of the time. Maybe the guy just doesn't have the rock in him anymore. Which would be sad because he used to kick ass on stage with the best of them.

Age mellows everyone, I guess.

Except, that is, Bruce. But you knew I'd say that, didn't you.

Aloha

Comments

Popular posts from this blog

MARATHON FOOTNOTES (for those who didn't think I would really footnote a stream of consciousness thought): Footnote #1 Academy Award Winning Best Picture Films from 1969 to the Present: Midnight Cowboy, Patton, The French Connection, The Godfather, The Sting, The Godfather II, One Flew Over The Cuckoo’s Nest, Rocky, Annie Hall, The Deer Hunter, Kramer Vs. Kramer, Ordinary People, Chariots of Fire, Gandhi, Terms of Endearment, Amadeus, Out of Africa, Platoon, The Last Emperor, Rain Man, Driving Miss Daisy, Dances With Wolves, The Silence of the Lambs, Unforgiven, Schindler’s List, Forrest Gump, Braveheart, The English Patient, Titanic, Shakespeare in Love, American Beauty, Gladiator, A Beautiful Mind, Chicago, Lord of the Rings: The Return of the King. Footnote #2 Members of the band YES, from 1969 to the present: In 1969, Yes is formed with Jon Anderson on vocals Peter Banks on guitar, Bill Bruford on drums, Tony Kaye on keyboards and Chris Squire playing bass. This group records...

100 and Counting: Introducing The Epic Playlist

It started as all playlists do, an occasion that justified music for entertainment. In this case, it was a couples weekend getaway back in February. Super Dave proposed that he and I provide the tunes and we started a Spotify playlist: three songs at a time, no song repeats, no artist repeats. Dave would add his three, then text me that it was my turn. I would then add my three text him back. This cycle repeated until three hundred songs were compiled, and we drove off to Mammoth with our wives. A funny thing happened, though, it turned out we both enjoyed the challenge of trying to surprise or outdo the other so much that we continued building the playlist. We made a new rule of just three songs each a day and still no artist repeats. Soon, we came up with amendments to allow duets (The Emmylou Exception), multiple songs by the same band if said band had multiple lead singers (The Beatles Exception), or if there was a lead singer replacement that changed the artistic direction of ...

A Trip Through the "My 90's Tapes" Collection Pt. 6: Joan Jett and The Blackhearts "Up Your Alley"

Column 1, Row 6: Joan Jett and The Blackhearts, Up Your Alley In 1988, hair metal was on the rise and straight forward rock and roll was losing radio airplay. If the music wasn't a little slick and the mix didn't sound like the record was recorded in a sports arena, there was little chance of getting heard. There were exceptions, of course (Tracy Chapman comes to mind), but for the most part, loud and echoey was the sound of the day. At that time, Joan Jett and her latest version of the Blackhearts had been together for a few years and were clicking. The band members were Ricky Byrd on lead guitar and vocals, Kasim Sulton on bass and vocals, and Thommy Price on drums. Jett was coming off of co-starring with Michael J. Fox in Paul Schrader's film, Light of Day . Although the film wasn't a hit, it was high profile enough to bring the rock legend back into the public eye after years working the road and trying to rebuild the success of her early 80s albums, including the s...