Skip to main content

WHMP Grammy edition

To: Steve
Date: Thu, 09 Feb 2006
From: Scott

Steve-

I waited all day for the user on my floor who had the John Legend album on his iTunes to get on the server just so I could send you this week's song.

Dude, I hear this a couple of months ago and I really dug the entire album. But I saw John Legend perform last night on the Grammys and was not only impressed, but inspired. It's one of just two performances at that awards show that actually moved me (and caused me to rewind my TiVo to watch the performance again).

What I find so wonderful about this song is its take on love... A mature love between a couple that they have grown into. It's not about infatuation, it's not about that "I just got married and I'm on top of the world" love. It's abou7t the "we've had our troubles and worked through them and you're still the love of my life and the one and ONLY person I want to spend the rest of my life with" love.

Nothing more inspiring about that, huh? In particularly in today's "get married fast; get divorced faster" (oh, I'm sorry, annulment) society, to hear a young (er) artist sing about commitment is refreshing. I hope you dig it.

Oh, and he was so exceptional perfuming the song... Flawless... That I downloaded the entire album to have for myself.

Without further adieu, John Legend's extraordinary "Ordinary People."

S

PS- Yes, the only other performer to move me (to tears) was Springsteen. He's the only performer that was able to silence the entire crowd with just his guitar, voice and harmonica. It was another impassioned performance by the Boss that made me really think about the kids overseas who are dying for an unjustified war. When he said "Bring 'em home" and walked off to applause, Springsteen proved, yet again, that he's the Boss in more ways than one.

Comments

Popular posts from this blog

MARATHON FOOTNOTES (for those who didn't think I would really footnote a stream of consciousness thought): Footnote #1 Academy Award Winning Best Picture Films from 1969 to the Present: Midnight Cowboy, Patton, The French Connection, The Godfather, The Sting, The Godfather II, One Flew Over The Cuckoo’s Nest, Rocky, Annie Hall, The Deer Hunter, Kramer Vs. Kramer, Ordinary People, Chariots of Fire, Gandhi, Terms of Endearment, Amadeus, Out of Africa, Platoon, The Last Emperor, Rain Man, Driving Miss Daisy, Dances With Wolves, The Silence of the Lambs, Unforgiven, Schindler’s List, Forrest Gump, Braveheart, The English Patient, Titanic, Shakespeare in Love, American Beauty, Gladiator, A Beautiful Mind, Chicago, Lord of the Rings: The Return of the King. Footnote #2 Members of the band YES, from 1969 to the present: In 1969, Yes is formed with Jon Anderson on vocals Peter Banks on guitar, Bill Bruford on drums, Tony Kaye on keyboards and Chris Squire playing bass. This group records...

A Trip Through the "My 90's Tapes" Collection Pt. 9: Mötley Crüe, "Girls, Girls, Girls"

Column 3, Row 13: Mötley Crüe , Girls Girls Girls. I was never a big fan of Mötley Crüe. I liked their radio hits, but I never listened to one of their albums in their entirety until 1989’s Dr. Feelgood , which was orchestrated in a way to dominate radio stations and suck in casual fans, like me, who had trouble getting past the Crüe’s purposeful sleaziness. That said I always admired them more than the other Sunset Strip bands. Bassist Nikki Sixx and drummer Tommy Lee were such a formidable rhythm section and laid down a solid groove to all their music. Guitarist Mick Mars had a knack for making his guitar hiss sinister, matching his perpetual scowl. Vince Neil was nothing to write home about as a vocalist, which made his unpolished singing just a little more intriguing than most of the other front then who dominated mainstream rock in the mid-late 80’s. Girls Girls Girls was released in May of 1987, just in time for a long summer of Mötley Crüe taking over the mi...

Midnight Movies and My Favorite Rock Pics

While you're waiting with baited breath for my next post about music and movies, please take an hour out of your life to listen to the Planet LP podcast that I appeared on last week. The show's host is Ted Asregadoo, a friend of mine from the Popdose heyday. Ted and I collaborated on several Popdose posts, and I've appeared on Planet LP a few times. I always enjoy speaking with him and this conversation was particularly fun. The subject was midnight movies, a phenomenon from the latter part of the 20th Century that faded away with the advent of home video and especially streaming.  I have good memories of going to the local cineplex in the middle of the night with my high school buddies to see cult movies like The Wall, Cronenberg's The Fly, the original Last House on the Left and The Holy Grail. They were bonding moments and we'd talk about the movies for weeks on end. Last House was a particularly scarring screening. If you've seen Wes Craven's gruesom...