Skip to main content

Basement Songs Revisit: The Waitresses, “Christmas Wrapping”


A quick update. I didn't expect six weeks to pass between postings. I have half of my Cyndi Lauper entry already written! However, I was out with the flu for a week, I had to do a revision of the Christmas drama I wrote for my church, I went through a week or anticipation of officiating a wedding, and then I married two young people! I became a year older, my son got a year older, I got sucked into revising a portion of the novel I'm writing, then it was Thanksgiving. Oh, and work. And here we are!

Me, me, me, me. Get over yourself, Malchus! The public demands your opinion about Cyndi Lauper and masturbation (they're linked, but "She Bop" fans know that). I promise I'll post by the end of next week.

A special t6hanks to the one person who reached out to see if I'd be continuing the series. I do have a habit of starting columns and letting them peter out (just check out my Popdose history). But I promise that I'm dedicated to seeing this one through to the end. You deserve it, my friends, especially my opinions on Bon Jovi.

In the meantime, here's a flashback to my Basement Songs column from December 3, 2009 (that's 14 years ago, for those of you old enough to remember) when I wrote about the greatest new wave Christmas Song ever recorded. 

We gathered around the tree hanging ornaments on its branches while baby Jacob looked on and Christmas music played over the stereo. Our first Christmas in our new home and Jacob’s first Christmas, as well; he was less than a month old. After the tumultuous circumstances surrounding his birth, and a period of time settling into home life with a new baby, we were finally catching our breath when we decided to decorate the house. It was mid-December, 2001. Embracing the spirit of the holidays, Sophie bounced around excitedly, hanging decade old knickknacks as high as she could reach, posing for photographs with her baby brother, and dancing to the likes of Nat King Cole, Vince Guraldi Trio and the modern Christmas classic by The Waitresses, "Christmas Wrapping."

Sure, no December is complete without Springsteen and the Big Man ”ho ho ho’ing,” but in recent years the Waitresses’ song has become my favorite rock and roll Christmas single. Written by bandleader Chris Butler, sung by the late Patty Donahue, and recorded on a hot August day in 1981, ”Christmas Wrapping” recounts the tale of a single woman’s desire to spend Christmas Eve alone after a year of missed opportunities with a man she met twelve months earlier. The narrative plays out like the plot of a nice romantic comedy, the kind of upbeat movie you’d expect to see Amy Adams or Rachel McAdams starring in someday. The tone is not cynical or sad. Donahue sings with a hip, matter-of-fact cadence that hides a hint of hope that some kind of magical ending may find her before the song wraps up… and it does. Besides Donahue’s talk/singing that captures the harried nature of December, there is one hell of a bass line carrying the song on its back, Nile Rodgers-like guitar licks, slick drumming, and one of the most infectious sax/horn parts in any song, holiday or otherwise. This hip little number conveys the frigid east coast and reminds me of Ohio. It always lifts my spirits, more than the Boss, Linus and Lucy, or John and Yoko.

Our spirits needed lifting in December of 2001. One day after we’d hoisted the tree, hung the stockings and burned the finest log Duraflame had to offer, Jacob was diagnosed with cystic fibrosis. One day after so much joy, life threw us a sucker punch right in the gut, leaving us gasping and in tears. At a time when I should have been rejoicing, all I could wonder is, ”Why?” Sophie had a wonderful Christmas, unaware of the fear and sadness her parents were working through. Julie and I were wrecks. Some nights the only thing that could calm my tears was hearing this silly, wonderful song while driving in my car. Each Christmas since then, when we pull down the decorations from the rafters, put on A Christmas Story and fasten the icicle lights around the outside of the house, as December 25th approaches another anniversary looms in our consciousness.

This past weekend, the tree went up, as it’s now tradition to get in the holiday groove over Thanksgiving weekend. We were all joyful, as we watched White Christmas and then relived the exploits of Ralphie and his pursuit of a Red Ryder carbine-action 200-shot range model air rifle. Jacob walked around in my favorite toque, while Sophie took charge of distributing the hundreds of ornaments we’ve accumulated over 15 years. I didn’t linger on their exuberant faces or let myself stand still for too long for fear that thick fog that clouds my mind, a fog called cystic fibrosis, would taint the moments and bring me down. It was a good day.

As I write this, it’s past midnight and I’m worn out. After a long, hellacious day at work, Julie called with some disconcerting news about Jacob that has my stress levels rising. Tired, angry and scared, it’s in moments like this that I want to punch the sky to get God’s attention and scream at the heavens. It’s in moments like this that I have to step back and remind myself of the good things. And it’s in moments like this that I need a festive song to raise my spirits once again. I have to remind myself that both kids are doing well; that I have a true companion in Julie, who loves me, forgives me, and is there to catch me when I sinking (God, I love my wife); I have the support and guidance of my family; and I have friends who stick by me no matter how many times I disappoint them. This illness is just one part of our reality.

I realize that there are people, maybe even some of you, that have it worse than I do. Different diseases, different dilemmas, different situations that could ruin the holidays. I’m no philosopher or soap box preacher; I don’t have answers. However, I do have a remedy that can give you five minutes of relief from the darkest blue Christmas. Press play and then… Dance! Sing! Play the air bass! Grab your loved ones and shake your booty! Scat along with the saxophone (ba do da ba  doo dah dah!). Let this terrific little pop song by an obscure new wave band take you over and give you hope. It works.  Trust me, it works.


 

Comments

Popular posts from this blog

MARATHON FOOTNOTES (for those who didn't think I would really footnote a stream of consciousness thought): Footnote #1 Academy Award Winning Best Picture Films from 1969 to the Present: Midnight Cowboy, Patton, The French Connection, The Godfather, The Sting, The Godfather II, One Flew Over The Cuckoo’s Nest, Rocky, Annie Hall, The Deer Hunter, Kramer Vs. Kramer, Ordinary People, Chariots of Fire, Gandhi, Terms of Endearment, Amadeus, Out of Africa, Platoon, The Last Emperor, Rain Man, Driving Miss Daisy, Dances With Wolves, The Silence of the Lambs, Unforgiven, Schindler’s List, Forrest Gump, Braveheart, The English Patient, Titanic, Shakespeare in Love, American Beauty, Gladiator, A Beautiful Mind, Chicago, Lord of the Rings: The Return of the King. Footnote #2 Members of the band YES, from 1969 to the present: In 1969, Yes is formed with Jon Anderson on vocals Peter Banks on guitar, Bill Bruford on drums, Tony Kaye on keyboards and Chris Squire playing bass. This group records

Basement Songs: Robbie Robertson, "What About Now"

In the fall of 1991, Robbie Robertson released his second solo album, Storyville , to glowing reviews, including a four-star feature write up in Rolling Stone ("a mature and masterful work that lends additional luster to the formidable legacy Robertson shaped with the Band). A month later, Nirvana's Nevermind was released, and we all know which one went on to be considered one of the most important albums of all time. Robertson's Storyville is all but forgotten, which is a shame, because the record's atmospheric tribute to New Orleans contains one of his most beautiful songs, "What About Now." I'm not sure what prompted me to have my best friend buy me Storyville for my birthday that year, most likely Anthony Curtis' review in Rolling Stone, but "What About Now" was also receiving minor airplay on, of all places, the AOR radio station in Toledo that I listened to while finishing up my senior year at Bowling Green. Initially,

Basement Songs- "Walk Like A Man" by Bruce Springsteen

My father wasn't an easy man to love growing up. I was an emotional kid and I didn't quite get why he wasn't overly affectionate with all of his children. Making matters worse, for me, was that he always seemed to associate better with complete strangers or his students or his fellow teachers. Why couldn't he take the time to talk to me about what book I was reading? I'm sure he would have loved "The Black Cauldron" or "The Great Brain" if he had given them a try. When I reached high school, he and I seemed to reach a level of understanding and we started to get along. I'm not sure what happened, perhaps he had mellowed, or perhaps because I wasn't a rebel rouser like my brother and I wasn't angry all of the time like my sister, it was easier for him to communicate with me. I think some of the things I went through in life and imagine that my dad began to see some of his mortality and he began to realize that he couldn't p