Skip to main content

Here We Go Again

This is what happens when I'm working on a book, or in the past a screenplay: As I become a part of the world I’m creating, all other forms of writing get relegated to the way, way back of my mind. In this case it's a new novel, a supernatural romantic comedy that's been in collecting dust in my head since the late teens. I pulled it out in March when I felt I hit an wall on the other novel I've been writing since 2020. That one is a story I’m very passionate about, tracking the life and career of a woman DJ from the 1960s through the early 1990s and the popularization of alternative rock. After five years and hundreds of pages, I needed a mental break. That's how I started working on adapting an abandoned screenplay into a book. I had to write something.

Through years of therapy, I've discovered that if I'm not writing, even if it's a journal entry, I'm filled with anxiety and question my purpose. That's not to say that I feel my purpose in life is to be some important author. Believe me, the other half of my personality would never allow such grand thoughts (something else I've explored in therapy). What I mean is I've told people I'm a writer for so damn long that my mind and body expect something from me, that I should be using all those damn Bic pens and Mead notebooks and Moleskin journals I have stockpiling to put ink on paper. If I'm not writing, I get physically uncomfortable and struggle with being a failure. Whatever minor successes I've had are not good enough. I dismiss my accomplishments and tell myself I have to work harder, because unless I have a movie on a streaming service or a published book, what's it all for?

All of this is to explain why writing for Thunderbolt gets the shaft all the time. Considering the amount of time I spend on the Internet; this is a failure on my part. The trouble is, and this is another part of my anxiety, if I take time out of my busy day to write, I feel like I'm wasting time. Writing takes concentration, tapping into all the emotions and bullshit inside you in order to create. When I get into that zone, I just can't jump in and out. It's like jogging. If you're in the middle of running 5 miles and someone asks you to stop and work on a spread sheet, I lose the focus and motivation. 

I'm going to try something new and use my journals (which have as many long gaps between entries as my blog posts do) to write  pieces I want to publish on the blog. Why not? At least I'm getting my thoughts out and I'm more inclined to post something when the hard work has already been done.

I'm about to embark on a work sabbatical. Throughout June, I'll spend time in wine country, a week in rural Kentucky helping repair homes, a week driving around Tennessee with my best friend (Memphis here we come) and a week in Cleveland with my extended family. I plan to see some baseball, enjoy good food and drink, make new friends, relish my time with old ones, and hopefully have something inside me renewed. This is the perfect time to be documenting everything. Hell, if John Steinbeck can write about his road trips, why can't I?

That was a joke. I ain't no Steinbeck.

Aloha 

Comments

Popular posts from this blog

MARATHON FOOTNOTES (for those who didn't think I would really footnote a stream of consciousness thought): Footnote #1 Academy Award Winning Best Picture Films from 1969 to the Present: Midnight Cowboy, Patton, The French Connection, The Godfather, The Sting, The Godfather II, One Flew Over The Cuckoo’s Nest, Rocky, Annie Hall, The Deer Hunter, Kramer Vs. Kramer, Ordinary People, Chariots of Fire, Gandhi, Terms of Endearment, Amadeus, Out of Africa, Platoon, The Last Emperor, Rain Man, Driving Miss Daisy, Dances With Wolves, The Silence of the Lambs, Unforgiven, Schindler’s List, Forrest Gump, Braveheart, The English Patient, Titanic, Shakespeare in Love, American Beauty, Gladiator, A Beautiful Mind, Chicago, Lord of the Rings: The Return of the King. Footnote #2 Members of the band YES, from 1969 to the present: In 1969, Yes is formed with Jon Anderson on vocals Peter Banks on guitar, Bill Bruford on drums, Tony Kaye on keyboards and Chris Squire playing bass. This group records...

A Trip Through the "My 90's Tapes" Collection Pt. 9: Mötley Crüe, "Girls, Girls, Girls"

Column 3, Row 13: Mötley Crüe , Girls Girls Girls. I was never a big fan of Mötley Crüe. I liked their radio hits, but I never listened to one of their albums in their entirety until 1989’s Dr. Feelgood , which was orchestrated in a way to dominate radio stations and suck in casual fans, like me, who had trouble getting past the Crüe’s purposeful sleaziness. That said I always admired them more than the other Sunset Strip bands. Bassist Nikki Sixx and drummer Tommy Lee were such a formidable rhythm section and laid down a solid groove to all their music. Guitarist Mick Mars had a knack for making his guitar hiss sinister, matching his perpetual scowl. Vince Neil was nothing to write home about as a vocalist, which made his unpolished singing just a little more intriguing than most of the other front then who dominated mainstream rock in the mid-late 80’s. Girls Girls Girls was released in May of 1987, just in time for a long summer of Mötley Crüe taking over the mi...

Midnight Movies and My Favorite Rock Pics

While you're waiting with baited breath for my next post about music and movies, please take an hour out of your life to listen to the Planet LP podcast that I appeared on last week. The show's host is Ted Asregadoo, a friend of mine from the Popdose heyday. Ted and I collaborated on several Popdose posts, and I've appeared on Planet LP a few times. I always enjoy speaking with him and this conversation was particularly fun. The subject was midnight movies, a phenomenon from the latter part of the 20th Century that faded away with the advent of home video and especially streaming.  I have good memories of going to the local cineplex in the middle of the night with my high school buddies to see cult movies like The Wall, Cronenberg's The Fly, the original Last House on the Left and The Holy Grail. They were bonding moments and we'd talk about the movies for weeks on end. Last House was a particularly scarring screening. If you've seen Wes Craven's gruesom...