I used to write a television column on Popdose.com. This was in the late aughts and the teen years of the 21st Century. Back then I was reliant on my few cable channels and trying to squeeze in one hobby (watching television) with another one (writing about television). I don't write for Popdose anymore. I could; it's not like I was told not to. I had to stop. My mental health was crashing and I found myself trying to meet self imposed deadlines and writing reviews instead of working on my own original stuff. At the time I chose to step away from Popdose, I crashed and burned. I haven't completed anything original in nearly seven years, save for some Christmas dramas I wrote for the church. That said I have been working on something original since 2019, a novel that gets more epic each year I work on it. I have doubts this book will ever get published, but my daughter and wife have enjoyed what I've written so far, so at least I have an audience of two. I hope to comple
Column 1, Row 7: Echo & The Bunnymen, Echo & The Bunnymen The latter part of the 1980s saw several of the founding bands of what would become know as alternative achieve mainstream success. U2 and INXS were the prime winners of the race, but The Cure, Psychedelic Furs, Simple Minds and R.E.M. all had significant radio hits between 1986 and 1989. I could include Depeche Mode, but I feel that their crossover popularity really happened after their 1990 smash, Violator . Echo & The Bunnymen seemed poised for their own breakthrough, as well. "Bring on the Dancing Horses" from their singles collection, Songs to Learn & Sing, was included in the John Hughes produced hit film, Pretty in Pink , and their cover of the Doors' "People Are Strange" from The Lost Boys soundtrack gained them AOR traction. 1987 should have been their year. One listen to Songs to Learn & Sing and you'll hear that this was a band ahead of its time both in melodic and ly