Skip to main content
Tuesday night and I'm at home enjoying a beer that I brewed myself and some quiet time before I delve back into an old script and begin yet another revision....



Actually, I'm chewing on this beer that I brewed six months ago. There is so much sediment in this bottle that I'll have to brush my teeth afterwards just to get the grit off. But I digress.



Today was a rest day, so I did not run or cross train. I actually slept in this morning after staying up late to watch "Punch-Drunk Love". Adam Sandler is really good in it. I'm curious to see what he does next dramatically. He definitely has some range (never thought I'd hear myself say that).



Spend part of the day stressing over my job. The company is making more cuts and I never feel like I'm safe from the axe. It's a stressful dilemma for anyone, but compounded more by the fact that we need the benefits so badly. I can't imagine trying to pay for all of the medication without insurance. Or, trying to pay for the insurance without a company to cover some of the costs. It's probably my biggest worry when it comes to my job.



Today I really felt like, "Damn, did I make the right decision coming out here?" I mean, if I were a teacher, would I be faced with this fear of cutbacks on a regular basis. This is really a messed up situation because the entertainment industry is not a stable job industry to begin with. And I've known that since day one. Especially for writers; that is, writers who are getting paid to write. I dream of the day when someone wants ME to write a script for them. But would I be able to quit this job? Not unless they're paying a lot of money.



Met with a friend of mine yesterday who is a voice over agent. We'll call him Wes (because, you know, that's his name). Anyway, Wes is going to send a couple of my scripts to a friend of his who is a manager. He doesn't promise anything. To be honest, I don't expect anything to happen. I've gotten so used to being turned down I feel like I'm in 7th grade again. Her name was Liz Gray and I.... er, never mind.



I'm trying to figure out what scripts to send. I know "King's Highway" will be one of them, and of course "The Mind's Eye". Should I send 2 more? And what should they be? I know from my experience on "King's Highway" that my work will appeal to people, but reading is subjective. I guess I'll send "Finding the Way" (my 80's high school script) and "Soulless" (homage to Carpenter movies w/ a clone twist) and we'll go from there. What harm can be done? If they say no thanks, well, I've heard that before.



Supposed to meet with Ryan and other El Charro gang on Thursday to go over what will probably be a page 1 rewrite. At the moment I'm not too thrilled, but I'll wait to see what they show me.



On that note, I'll say goodnight.



Wouldn't it be nice if I weren’t so down all the time? Here's a positive note to end on: I got a wonderful email from my good friend Brian McMahon today. Brian and I were college roommates and had several adventures in college. I almost burned down our apartment in his room. And I reestablished contact with another college friend, Brody McDonald, who starred in my senior film.



There, doesn't that fell better. All nice and cheery.





S

Comments

Popular posts from this blog

MARATHON FOOTNOTES (for those who didn't think I would really footnote a stream of consciousness thought): Footnote #1 Academy Award Winning Best Picture Films from 1969 to the Present: Midnight Cowboy, Patton, The French Connection, The Godfather, The Sting, The Godfather II, One Flew Over The Cuckoo’s Nest, Rocky, Annie Hall, The Deer Hunter, Kramer Vs. Kramer, Ordinary People, Chariots of Fire, Gandhi, Terms of Endearment, Amadeus, Out of Africa, Platoon, The Last Emperor, Rain Man, Driving Miss Daisy, Dances With Wolves, The Silence of the Lambs, Unforgiven, Schindler’s List, Forrest Gump, Braveheart, The English Patient, Titanic, Shakespeare in Love, American Beauty, Gladiator, A Beautiful Mind, Chicago, Lord of the Rings: The Return of the King. Footnote #2 Members of the band YES, from 1969 to the present: In 1969, Yes is formed with Jon Anderson on vocals Peter Banks on guitar, Bill Bruford on drums, Tony Kaye on keyboards and Chris Squire playing bass. This group records...

A Trip Through the "My 90's Tapes" Collection Pt. 9: Mötley Crüe, "Girls, Girls, Girls"

Column 3, Row 13: Mötley Crüe , Girls Girls Girls. I was never a big fan of Mötley Crüe. I liked their radio hits, but I never listened to one of their albums in their entirety until 1989’s Dr. Feelgood , which was orchestrated in a way to dominate radio stations and suck in casual fans, like me, who had trouble getting past the Crüe’s purposeful sleaziness. That said I always admired them more than the other Sunset Strip bands. Bassist Nikki Sixx and drummer Tommy Lee were such a formidable rhythm section and laid down a solid groove to all their music. Guitarist Mick Mars had a knack for making his guitar hiss sinister, matching his perpetual scowl. Vince Neil was nothing to write home about as a vocalist, which made his unpolished singing just a little more intriguing than most of the other front then who dominated mainstream rock in the mid-late 80’s. Girls Girls Girls was released in May of 1987, just in time for a long summer of Mötley Crüe taking over the mi...

A Trip Through the "My 90's Tapes" Collection Pt. 10: U2, "Rattle and Hum"

  Column 1, Row 17: U2 , Rattle and Hum U2 are one of two acts that immediately conjure memories of my late friend, Matt (the other one is Dylan). Matt and I knew each other since first grade. Despite the comings and goings of other friends and girlfriends, we held on to that friendship until the early 2000s. It's a remarkable feat, when you think about it. We both left our suburban Cleveland hometown and moved west (he to Seattle, me to L.A.) and lived very different lives. What I remember of Matt was him chasing the that spark that brought him joy and wonder. He was always curious, sometimes to a fault, at least when I knew him. I can't tell you what he was like toward the end of his life; we'd lost touch. All that I have are the memories of the haunting young man I knew from young adulthood. Matt and I came of age in the mid to late 80s, as U2 made their commercial breakthroughs with War (1983) and The Unforgettable Fire (1984) and then became the most significant band ...